Lesson 26 · projects
The Daring Assignments
Gli incarichi audaci
Here are ten progressive challenges, each bolder than the last, designed to push your courage and your eye together. Do them in order; each builds on the nerve of the one before. Track each as you complete it.
The ten assignments
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The follower. Choose one interesting stranger and photograph them, discreetly and respectfully, across several frames as they move through a scene. Learn to anticipate and stay with a subject.
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The asker. Ask three strangers for a posed portrait. Direct them gently. Learn the collaboration of the consented portrait.
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The one-metre frame. Make ten frames from roughly one metre, as in the 1-Meter Rule lesson.
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The eye contact. Make five frames where the subject is looking directly into the lens. Hold the moment instead of fleeing it.
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The shadow. Spend an hour photographing only people interacting with hard light and shadow. Light as the subject.
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The gesture. Capture ten peak gestures: a hand raised, a laugh, a step over a puddle. Train anticipation.
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The wait. Find one stage and stay forty-five minutes, working it as people pass. Patience over wandering.
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The crowd. Wade into a dense crowd, a market, a protest, a festival, and shoot from within it. Closeness in chaos.
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The conversation. Photograph someone, then talk to them. Turn the frame into a human encounter. Often the best images and the best stories come after the conversation starts.
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The self in the frame. Put yourself into a photograph, via shadow or reflection, in the spirit of Friedlander. Acknowledge that you are part of the scene.
How to use them
Do not rush. One assignment per outing is plenty. Journal each: what you feared, what happened, what you learned. By the tenth, the photographer who started at assignment one will feel like a different person holding the camera. That transformation, more than any single image, is the point.
Exercises
Assignments 1 to 3
hard3 outingsComplete the follower, the asker, and the one-metre frame. Journal each.
Assignments 4 to 7
hard4 outingsComplete eye contact, the shadow, the gesture, and the wait.
Assignments 8 to 10
hard3 outingsComplete the crowd, the conversation, and the self in the frame.
Photographs to study
Working the street
Joel Meyerowitz, 1976
A master moving through and with the crowd.
- · Following and anticipating
- · Closeness
- · Energy
Self-portrait with shadow
Lee Friedlander, 1966
The photographer present in the frame.
- · Self in the picture
- · Shadow as signature
- · Acknowledging the maker
Encounter portraits
Bruce Davidson, 1970
Images born from conversation.
- · The frame after the talk
- · Trust
- · Human encounter
We do not host copyrighted photographs. These links open a search or an authoritative source so you can study the work where it lives.
Watch
Further reading
- Eric Kim, street photography assignments
A deep well of structured challenges.
- Lee Friedlander, Self Portrait
The self-in-frame tradition.
- Magnum Contact Sheets
See masters working a scene across many frames.